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BREAKING NEWS, BROKEN PEOPLE

In the wake of the communal calls of the Right-Wing groups of Uttarakhand, telling the Muslim community to leave Purola or face dire consequenc...

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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RENAMING AND SHAMING!

Humra Quraishi discusses the weapons of mass ‘distractions’ being used, by the Right-Wing forces, to deflect peopl...

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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

Speak, for your lips are still free…

As Eid-ul-Fitr is to  be  observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, w...

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The Natural

Khalid Mohamed harks back to an interview with Jaya Bachchan on the art and craft of acting during her heyday under the helmsm...

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Signs of the time: No light in dark times

Humra Quraishi addresses the politically exploitative atmosphere in Uttar Pradesh as assembly elections come closer and the ri...

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A Fragmented Sky

Through her memories, Farah Diba Israfil encapsulates the pre-and-post-COVID eras, the recent and the deep past of Indian cult...

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MURDER IN THE HILLS

MURDER IN THE HILLS

Shantanu Ray Chaudhuri’s review of the the sin...

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Gentleman Extraordinaire: Phani Majumdar

Rinki Roy Bhattacharya shares her experience of meeting Phani Majumdar, a filmmaker and man ex...

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